Best Fuzz Pedal – For Dirtying Up Your Tone

If your overdrive pedal isn’t quite cutting it, and distortion doesn’t seem to hit the spot either, a fuzz pedal might be what you’re looking for.

Whereas overdrive provides a very subtle gain boost, and distortion saturates your guitar’s signal by adding a high distortion, fuzz takes your signal and makes it clip so hard that your original sound is almost unrecognisable. These awesome pedals can produce violin-like sustain, giving your guitar licks the power they deserve.

big muff fuzz pedal

In this article we’re going to closely examine fuzz pedals, what they do, the key considerations you need to make when purchasing one, and which products on the market are worth looking at. If you’re in a rush, here’s a quick overview of the products we review further down the article.

At a Glance: Our Choice of the Best Fuzz Pedals

PREVIEW PRODUCT FEATURES  
Electro-Harmonix Big Muff Pi Guitar Effects Pedal
Electro-Harmonix Big Muff PI
  • True bypass
  • Silicon transistors
  • Volume, sustain and tone controls
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Black Arts Toneworks Pharaoh Supreme
Black Arts Toneworks Pharaoh Supreme
  • Silicon and Geranium modes
  • Hi/Lo option
  • Volume, fuzz and tone controls
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EarthQuaker Devices Hoof Germanium/Silicon Hybrid Fuzz Guitar Effects Pedal
EarthQuaker Devices Hoof
  • Hybrid silicon/germanium
  • True bypass
  • Fuzz, level, shift and tone controls
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ZVEX Fuzz Factory Vexter Series Fuzz Guitar Pedal
ZVEX Fuzz Factory
  • Volume, compression, gate and stability controls
  • Germanium transistors
  • 1960s-style design
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smallsound/bigsound Buzzz Octave Fuzz v2
Small Sound/Big Sound Buzzz
  • Germanium / Silicon switch
  • Octave shift
  • Gain, starve, volume and treble dials
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Walrus Audio Janus Tremolo/Fuzz Pedal
Walrus Audio Janus
  • Joystick controls
  • Tremolo effect
  • Separate level controls
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Death by Audio Fuzz War Effect Pedal
Death by Audio Fuzz War
  • Volume, fuzz and tone controls
  • Sturdy and simple
  • Germanium transistors
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J. Rockett Audio Designs Signature Series Paul Trombetta WTF Fuzz and Overdrive Guitar Effects Pedal
J Rockett Audio Design WTF Fuzz
  • Extreme fuzz to subtle sounds
  • True bypass
  • Boost
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Dunlop JDF2 Fuzz Face Distortion
Dunlop JDF2 Fuzz Face
  • Germanium transistors
  • Vintage design
  • Only 2 controls plus on/off switch
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Old Blood Noise Endeavors Haunt Fuzz Pedal
Old Blood Noise Endeavours Alpha Haunt Fuzz
  • 3-band EQ
  • Volume, fuzz, gate, bias and enhance controls
  • Black cat design
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Catalinbread Karma Suture Germanium Harmonic Fuzz Guitar Effects Pedal
Catalinbread Karma Suture Harmonic Fuzz
  • Germanium transistors
  • ‘60s design
  • Diodes and density controls
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Way Huge Swollen Pickle MKII Guitar Effects Pedal w/(2) 6' patch cables (2) 18.6' cables
Way Huge WHE401 Swollen Pickle
  • Silicon transistors
  • Scoop and crunch dials
  • Loudness, sustain and filter controls
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Wampler Velvet Fuzz V2 Guitar Effects Pedal
Wampler Velvet Fuzz V2
  • Big/tight toggle
  • True bypass
  • Fuzz and brightness knobs
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Ok, let’s get stuck into the meat of the article. Here’s what we cover – jump to a section of interest – if you’re new to fuzz pedals read the whole thing to get maximum benefit.

What is the Fuzz Effect?

What started as a faulty connection on a mixing board gave birth to fuzz – the effect that defined the sound of rock guitar.

Fuzz completely clips your signal so that it compresses the distortion. You’re left with a more artificial sound than a clean guitar tone. When you use a fuzz pedal, the sound you achieve is as though you’ve turned your amp up so high that it’s broken.

Fuzz pedals use transistors to add gain to your signal. These transistors add harmonic content to your sound as soon as it is amplified, which is what those ‘out there’ fuzz effects are. The transistors can be germanium or silicon, with germanium generally offering a warmer tone and silicon producing a brighter and tighter fuzz.

Benefits of Fuzz Pedals

There are a few main reasons why you might choose to use a fuzz pedal.

Dirty Tone

The main reason people plug their guitars through fuzz effects is to make their guitars sound dirty. These pedals venture where distortion daren’t and create sounds that overdrive wouldn’t dream of. If you have some killer single-note riffs, that you need to stand out and screech as they’re saturated in filth, fuzz is your pedal.

Sustain

These pedals also offer incredible amounts of sustain. You can hold feedback-drenched notes on for an incredibly long time as they play as though they can’t stop. Of course, most fuzz pedals have an option letting you reduce this amount of sustain, but it’s exactly what some players want.

Psychedelic Sounds

Anybody who is trying to emulate the sound of the ‘60s will be needing a fuzz pedal. If you’re wondering how Hendrix managed his screaming noisiness, here’s your answer. These pedals are essential to the extreme, squealing distortion that came from his amp in ‘Star Spangled Banner’, and it feels weird to even imagine that performance without those fuzz-tastic sounds. The Stones’ riff on their classic hit Satisfaction is drenched in fuzz, have a listen below.

Buying Guide – Things to Consider When Buying a Fuzz Pedal

There are a few things to consider before you rush out to buy one of these bad boys.

Germanium vs Silicon

First, which kind of fuzz pedal will be right for you? There are two main kinds.

Germanium transistors are what were originally used to clip the signal in a fuzz pedal.
Pedals which use these today are commonly considered to offer a more ‘vintage’ tone. They’re typically warm and round sounding, which is largely due to its low bandwidth and large capacitance. Germanium fuzz pedals are great for vintage sounds but they can be unreliable as no two sound exactly the same.

Silicon fuzz pedals are a newer design, and they’re much more predictable.They are cheaper to build than germanium transistors, which is one of the reasons they’ve become the primary type of transistor, and they create a purer signal which is brighter and more defined.

Many people prefer silicon to germanium due to its reliability and punchiness.

There are some fuzz pedals which have a flick between germanium and silicon settings, allowing you to effectively have two pedals in one. Others might opt for a hybrid, offering you the best of both worlds.

Do You Need a Gate?

Gates allow you to set a threshold under which sounds are not allowed through. When we’re distorting everything that does come through to the max, a gate can help you to ensure that nothing unwanted is getting maximised in this way. If you want a bit more control over the feedback you’re creating, it might be worth looking out for this feature.

Do You Need EQ Controls?

Again, this comes down to how much control you need over your pedal. EQ can be covered externally, as can a gate, but might you need to shape the sound that’s actually leaving your pedal? If the fuzz is going to be used for recording, or if you don’t have a separate EQ pedal that you can hook up to the fuzz, this might be one of your requirements.

What About Compression?

How much of a dynamic range do you want? Perhaps you’re after a squashed, fuzzy sound that, although it’s noisy, sounds squashed and under control. Compression allows you to reduce the dynamic range of your signal and in a fuzz pedal this can be used creatively to encourage some steady, sustained sounds.

How About Fuzz for Stoner Rock?

Let’s say you’re into stoner rock (think bands like Spaceman 3, My Bloody Valentine, etc.) and want the kind of fuzz they use. What do you need?

  • A tone setting that has an excellent low end will match stoner rock very well, so make sure that emphasising the bass frequencies is something that the fuzz pedal you choose excels in, rather than the highs.
  • Your fuzz pedal will also need to do be able to do some heavy lifting on the sustain. If you can’t keep every note hanging around in the air like the smell of fresh baked brownies, you need to upgrade your equipment!
  • A few extra controls beyond that of a standard fuzz pedal can really work wonders in stoner rock that wouldn’t normally be usable outside of Silent Hill-style industrial horror ambience. Noise gates, compressors, distortion, and all other kinds of weird combinations of effects can really challenge your creativity when they’re combined on one pedal and give you tons of freedom outside of rock’s usual boundaries.
  • You don’t want to end up going too heavy and slipping into stoner metal, that’s a whole different ball game. Distortion and overdrive can work well, but a tube amp can often provide a more suitable tone.

Product Round-up and Mini Reviews – Best Fuzz Pedals

So, now you know what you’re looking for (or not looking for) in a fuzz pedal, here’s a round up of some of the best ones on the market.

We hope that our detailed reviews help you to find what you’re looking for!

Electro-Harmonix Big Muff PI

Electro-Harmonix Big Muff Pi Guitar Effects Pedal

The Electro-Harmonix Big Muff PI is a silicon fuzz pedal that’s been popular since the ‘70s. It has three controls: volume, sustain and tone, allowing you to adjust the output level, lengthen or shorten your harmonic distortion and to alter the how trebly, bassy or mid-heavy your sound it.

It’s a simple stompbox which, after the three controller knobs has a simple on/off switch to be controlled with your foot.

This thing can take several thousand stomps, as it’s built like a brick, which is probably one of the reasons why it’s so commonly found in touring musician’s pedalboards.

The Big Muff Pi can be powered by a 9V adapter or using a 9V battery, making it convenient as well as highly portable.

It will be suited to guitarists who want a reasonably priced sustain that’s easy to dial in, and that they can plug in to their pedal board with little fuss.

The Big Muff might be less suited to those who require more fine-tuning options.

PROS

  • Volume, sustain and tone controls allow you to adjust the effect to suit your style.
  • Simple and sturdy.
  • Silicon transistors make it reliable and affordable.

CONS

  • Doesn’t have the warm tones of a germanium fuzz pedal.
  • There are limited tone controls.
  • It’s pretty bulky.

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Black Arts Toneworks Pharaoh Supreme

Black Arts Toneworks Pharaoh Supreme

The Black Arts Toneworks Pharoah Supreme is capable of two modes: silicon and geranium.

This is perfect for those who require the harsh, cutting sounds of silicon at times but prefer the warm, vintage tones of geranium at others. It’s easy to shift between the two at the flick of a switch, which is placed between the volume and fuzz controls.

As well as being able to modify the output volume from the Pharaoh Supreme, and the fuzz intensity, there’s also a tone control and a high control. These give you more EQ options than with just one tone knob.

There’s a hi/lo input option, too, so you can choose the amount of headroom your guitar has before it clips.

There’s true bypass in this pedal, so you don’t need to worry about it interfering with your sound when it’s not in use, and it can be powered by a 9V adaptor.

It costs a little more than the Big Muff Pi, but the Black Arts Toneworks will suit those who like variety in their fuzz tones and wish to experiment with different sounds.
It will be less suited to those who would rather ‘set it and forget it’.

PROS

  • Silicon and Geranium modes give you the option of tight and modern or vintage and warm.
  • Hi/lo option allows you to choose the amount of headroom your guitar has before it clips.
  • Volume, fuzz and tone controls allow you to finetune the effect.

CONS

  • There’s no battery option.
  • All of the different setting options can take some getting used to.

CHECK PRICE ON AMAZON

EarthQuaker Devices Hoof

EarthQuaker Devices Hoof Germanium/Silicon Hybrid Fuzz Guitar Effects Pedal

The EarthQuaker Devices Hoof pedal is a hybrid silicon/germanium fuzz which takes the best of the germanium layout and makes it tighter and cleaner

It has four knobs: tone, shift, level and fuzz. As with the other pedals, the tone allows you to shape your highs, mids or lows, whilst the level controls your output volume and the fuzz lets you choose how long the sustain lasts for.

The shift control works in conjunction with the tone control by setting the frequency response, so you can choose whether it’s highs, mids or lows that you emphasise.
It has true bypass, so you can be confident that it won’t make unwanted noises while it’s not in use, and the pedal can be powered off a 9V battery or adapter.

It’s priced similarly to the Pharoah Supreme, and offers a smooth fuzz that will suit those who want to maintain the clarity of their notes amidst the noise.

It will be less suited to those who are looking for something that’s the ultimate in dirtiness.

PROS

  • Hybrid silicon/germanium fuzz gives you the best of both worlds.
  • Fuzz, level, shift and tone controls allow you to shape the effect.
  • True bypass means you don’t need to worry about unwanted noise when the pedal’s out of use.

CONS

  • Lends itself to a smoother fuzz, which might not be sufficient for some heavier players.
  • Although there are many controls, there’s no gate or compressor.

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ZVEX Fuzz Factory

ZVEX Fuzz Factory Vexter Series Fuzz Guitar Pedal

The ZVEX Fuzz Factory is a germanium fuzz pedal with a truly ‘60s vibe.

There are volume, gate, compression, drive and stability controls.

The volume controls the output from the pedal, the drive controls how much distortion you use and the stability controls the pitch of the feedback.

The gate on this pedal crushes your sound as soon as the sustain has finished, to eliminate any unwanted feedback, and the compression can be used to pinch the tone or to tune in loud, squealing fuzz.

It has ‘groovy’ style writing on it, in keeping with the 1960s and its sturdy metal casing means that you can trust it to last.

The ZVEX Fuzz Factory can be powered off a 9V battery or adapter, so it’s easy to add to your pedal collection.

It’s a tiny bit pricier than the other pedals so far, but will be well suited to those who would like to tap in to the sound of the ‘60s and would also like the controllability to make the sound their own.

It will be less suited to those who are looking for a brighter, more modern sound.

PROS

  • Volume, compression, gate and stability knobs give the pedal excellent controllability.
  • 1960s style design is in keeping with the effect.
  • Germanium transistors offer a vintage tone.

CONS

  • Won’t suit those who are looking for a brighter sound.
  • It’s a bit pricey.
  • Compression and gate controls can take a bit of getting used to.

CHECK PRICE ON AMAZON

Small Sound/Big Sound Buzzz

smallsound/bigsound Buzzz Octave Fuzz v2

The Small Sound/Big Sound Buzzz is a pedal in the same kind of price range as the Fuzz Factory.

It can flick between germanium and silicon settings, and also has a hi/lo gain toggle and octave toggles.

There are two footswitches, one which turns it on or into true bypass and one which can be set to either tone blast or octave shift.

There are gain, starve, volume and treble dials filling the bulk of the pedal. The gain controls how overdriven your sound is, the starve adjusts your feedback and the volume sets your output level. The treble dial allows you to shape higher frequencies to suit your style.

It’s a very versatile pedal which will be highly suited to tech-oriented guitarists who like to get their hands as well as their signals dirty.

It will be less suited to those who would like to achieve a dirty fuzz with minimal fuss.

PROS

  • Flicks between germanium and silicon, so you get the best of both words.
  • Hi/lo gain toggle allows you to choose how much headroom you have before the clipping.
  • Gain, starve, volume and treble dials give you control over the shape of the affected signal.
  • Octave shift.

CONS

  • Can take some getting used to.
  • Some of the features – like the octave shift – might be superfluous to many players.

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Walrus Audio Janus

Walrus Audio Janus Tremolo/Fuzz Pedal

The Walrus Audio Janus is a high-end dual-pedal which doubles up as a tremolo.

The tremolo and fuzz are controlled via joysticks, making it a fun pedal to use and one that’s easy to control.

The tremolo joystick adjusts the rate of the tremolo, whilst the fuzz joystick controls both the amount of fuzz and the tone of your sound.

Both of the effects have a level control beneath them, and there’s also a blend so you can mix unaffected signals with your fuzz-driven signal.

It can be powered via a 9V adaptor, though plugging the Walrus Audio Janus into a daisy-chain is not recommended.

The Walrus Audio Janus is perfect for creative musicians who like to dabble with a variety of effects.

It will be less suited to fuzz purists who are seeking a signature ‘60s sound.

PROS

  • Doubles up as a tremolo pedal, meaning even more vintage sounds.
  • Joystick controls are fun and easy to use.
  • Tremolo and fuzz have separate level controls.

CONS

  • Tremolo might not appeal to all fuzz users.
  • It’s pretty expensive.
  • There are limited tone controls.

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Death by Audio Fuzz War

Death by Audio Fuzz War Effect Pedal

The Death By Audio Fuzz War is a simple, germanium pedal that’s similar in price to the Earthquaker Hoof.

It has just three controls: volume, fuzz and tone as well as the footswitch to turn it on or put it into true bypass.

The fuzz control is easy to use as it very obviously shifts from acting as a tone shifter in its lowest settings, to creating wild fuzz sounds in its highest position.

The tone knob changes the timbre of the sound from extremely bassy to screamingly high.

It’s a sturdy pedal, in trusty metal housing and it can be powered by a 9V battery or using a 9V adapter.

This pedal will suit those who want something simple but effective, to easily achieve fuzz-laden sounds.

It will be less suited to those who are looking for a pedal that they can endlessly tweak.

PROS

  • Volume, fuzz and tone controls allow you to shape the effect.
  • It’s a sturdy and simple pedal which you can trust to survive a knock or two.
  • Germanium transistors offer vintage sounds.

CONS

  • There’s no silicon option.
  • There’s only one tone knob.

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J Rockett Audio Design WTF Fuzz

J. Rockett Audio Designs Signature Series Paul Trombetta WTF Fuzz and Overdrive Guitar Effects Pedal

The J Rocket WTF pedal is a quirky design with some excellent features.

It has a boost, volume, gain and a ‘WTF’ dial. The boost dial allows you to set a level that you can ‘boost’ to at the click of one of the footswitches.

The volume sets the output volume, the gain controls the overdrive and the ‘WTF’ allows you to let things get a little wild.

WTF stands for ‘what the fuzz’, and this is the dial where, if you turn it up, you can get some extremely fuzz-tastic sounds.

There’s a toggle to flick between different high frequencies, and the footswitch next to the ‘boost’ control can switch your pedal off, to true bypass.

This pedal will suit lead guitarists who might need to crank things up all of a sudden in a solo, and let out some extreme sounds.

It will be less suited to those hunting for a signature ‘60s sound.

PROS

  • Capable of extreme fuzz and more subtle sounds.
  • True bypass.
  • Includes a boost.

CONS

  • Doesn’t sound like vintage fuzz pedals.
  • It’s quite pricey

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Dunlop JDF2 Fuzz Face

Dunlop JDF2 Fuzz Face Distortion

The Dunlop JDF2 Fuzz Face is a very simple germanium pedal, that only costs a little more than the Big Muff Pi.

It has a volume control, a fuzz control and an on/off switch, so you can set your output level as well as your effects level and switch the sound off completely.

It’s battery-powered only, which is unusual for a pedal, but it’s in keeping with its vintage looks, tone and design.

It is ruggedly constructed, in keeping with the original Fuzz Face from the ‘60s and it’s the perfect buy for those who are looking for a fuzz pedal that will take them back in time.

It will be less suited to those who are looking for something modern and technologically controllable.

PROS

  • Volume and fuzz controls and on/off switch make this pedal simple but effective.
  • Designed just like the fuzz pedals of the 60s, so it has a real vintage feel.
  • Germanium transistors give it a warm sound.

CONS

  • No tone settings.
  • It can only be battery-powered.
  • No silicon option.

CHECK PRICE ON AMAZON

Old Blood Noise Endeavours Alpha Haunt Fuzz

Old Blood Noise Endeavors Haunt Fuzz Pedal

The Old Blood Noise… Fuzz is a very cool pedal that only costs a bit more than the Fuzz Factory.

It has volume and fuzz controls, as well as gate, bias, enhance and even an impressive 3-band EQ.

You can really control your sound with this pedal, from fuzz level to feedback control to the shape of your tone.

The bias controls lets you go from a fat-sounding fuzz to a cleaner, more modern fuzz, and the enhance control gives you yet more control over the shape of your tone.

This pedal is powered off a 9V battery or adapter and has true bypass switching.

As if all of these fantastic features weren’t enough, the sturdy, metal casing also includes pictures of black cats.

It’s perfect for the guitarist how wants the ultimate control over his/her sound, and who is willing to spend some time figuring out what the best fuzz settings for them are.

It will be less suited to guitarists who are more interested in playing than adjusting their tone, and would rather have something that automatically set itself up for them.

PROS

  • 3-band EQ gives you excellent control over the tone of your affected instrument.
  • Volume, fuzz, gate, bias and enhance allow you to fine-tune the fuzz pedal’s settings.
  • Black cats on the casing.

CONS

  • It’s a bit expensive.
  • Black cats might not appeal to everyone.

CHECK PRICE ON AMAZON

Catalinbread Karma Suture Harmonic Fuzz

Catalinbread Karma Suture Germanium Harmonic Fuzz Guitar Effects Pedal

The groovy-looking Karma Suture pedal is a germanium fuzz pedal with four controls.

There’s a diodes control, which allows you to set the compression of the diode-clipping from full-clipping and a tight distortion to a spacious, loud sound.

There’s also a density control, which adjusts your tone from bassy to high and tense, and there are input and output controls. The input controls how much of your guitar goes through the pedal, and the output controls the volume of what comes out.

This pedal can be run off a 9V battery or using a 9V power supply. It’s recommended that you use a battery, as it eats up so little and can also encourage a warmer tone.

The Karma Suture is similarly priced to the Fuzz War and the Hoof.

It will suit guitarists who want something small to fit into their pedalboards, that’s easily adjustable yet also easy to ‘set and forget’.

It will be less suited to those looking for something more complex, although it is capable of a lot of sounds.

PROS

  • The ‘60s design makes it look groovy and is in keeping with the effect.
  • Germanium transistors give it a warm sound.
  • Diodes and density controls allow you to adjust compression and tone.

CONS

  • There’s only one tone control.
  • There’s no silicon option.

CHECK PRICE ON AMAZON

Way Huge WHE401 Swollen Pickle

Way Huge Swollen Pickle MKII Guitar Effects Pedal w/(2) 6' patch cables (2) 18.6' cables

The Way Huge WHE401 Swollen Pickle is a relatively small, inexpensive pedal with a lot of controls.

There are loudness, sustain and filter dials, as well as small scoop and crunch dials.

The loudness knob controls your output volume, the filter adjusts the range of your heavily filtered tones and the sustain controls how much fuzz will be released.

The scoop control adjusts your frequencies and the crunch knob alters the compression of the sustain.

The pedal has true bypass, so when you flick the footswitch ‘off’, you don’t need to worry about unwanted humming sounds. It can also be powered by either a 9V battery or adapter.

The Swollen Pickle pedal will suit guitarists who want some high-gain sounds and want a level of controllability over them.

It will be less suited to those hunting for a classic ‘60s replication, as the transistors are silicon and the controls are more advanced.

PROS

  • High, crunchy sounds thanks to the silicon transistors.
  • Scoop and crunch dials adjust frequencies and compression.
  • Loudness, sustain and filter dials enable you to fine tune the effect.

CONS

  • No germanium transistors.
  • Scoop and crunch dials are very small.

CHECK PRICE ON AMAZON

Wampler Velvet Fuzz V2

Wampler Velvet Fuzz V2 Guitar Effects Pedal

The Wampler Velvet Fuzz V2 is a versatile little pedal with volume, fuzz and brightness knobs as well as a big/tight toggle.

The big/tight toggle uses its own two completely different clipping options, which work similarly to but are not the same as germanium/silicon transistors.

It’s capable of vintage tones as well as noisy, newer tones and the fuzz and brightness knobs allow you to finetune these effects.

It’s completely true bypass, so you don’t need to worry about the pedal muddying your signal, and these pedals are hand-built in the USA, so you can expect quality.

They are powered off 9V batteries or adapters, and they’re small enough to slot into your pedalboard.

The Wampler Velvet Fuzz V2 will be suited to musicians who are open to experimenting and want easy access to a wide range of tones.

It will be less suited to fuzz-purists who require geranium transistors and ‘60s simplicity.

PROS

  • Big/tight toggle gives you access to a wide range of sounds.
  • True bypass means you don’t have to worry about a muddied signal.
  • Fuzz and brightness knobs allow you to shape the effect.

CONS

  • Lacks vintage circuitry.
  • Tone controls are limited to one ‘brightness’ dial.

CHECK PRICE ON AMAZON

So, Which Should I Buy?

So, now you’ve looked at what pedals are out there, and read a little about which ones are suited to different styles, you might be ready to make a buying decision.

If you’re looking for something that’s true to the ‘60s, the Death By Audio Fuzz War is the most alike to original models, with its three controls and the circular design.

The ZVEX Fuzz Factory and the Karma Suture are also designed with the ‘60s in mind, and they have both germanium transistors and ‘groovy’ design-work to match.

Those who are looking for a pedal which can do the vintage, warm sound, but can also achieve the clarity of silicon transistor fuzz pedals, are likely to be impressed by those that offer both.

The Small Sound/Big Sound Buzzz and Blackarts Toneworks Supreme both have switches between the two types of transistors, and the EarthQuaker Devices Hoof is made from hybrid circuitry which offers you the best of both worlds.

If you’re looking for something simple, that’s built like a brick, you need look no further than the Big Muff Pi. This pedal is legendary for many reasons, one of them being that it will last you forever.

The Old Blood Noise… Fuzz and J Rocket WTF offer some additional controllability options like gate, compression and boosting, and the Old Blood Noise even includes a 3-band EQ.

If you require extra effects, the Walrus Audio Janus has an included tremolo which can really offer the sounds of vintage amplification.

Whichever of these pedals is right for you, we hope that the reviews here have helped you on your journey to finding some out-of-this-world sounds.

Now, go fuzz yourself!

Featured image: Nils Breunese / by-nc-CC 2.0

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