Best Guitar Volume Pedals – Buyer’s Guide & Reviews

Our #1 Pick for Best Volume Pedal for Guitars

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Boss FV-500H

Our top pick goes to the Boss FV-500H, a classic volume pedal that shows no sign of going out of fashion. Road-tough, ultra-smooth movement, with a pleasing non-slip rubber surface – it’s hard not to like. Handily comes in two versions (high and low impedance) to cater for different instruments. Very reasonably priced too. Check Price on Amazon

A volume pedal lets you adjust how loud or quiet your guitar signal is via a foot-lever and does so without affecting the signal from your guitar. For this reason, it’s one of the most useful guitar pedals on your board.

Because it basically lets you control the master volume on your amp, you can turn yourself down and keep the same tone (in other words, distortion). 

In this article, we review the best volume pedals available and how to buy the right one for you.

At a Glance – Our Choice Of The Best Volume Pedals for Guitar

Note: Clicking any of the above links will take you to further information, customer reviews, and current prices on Amazon.

Best Guitar Volume Pedals Reviews

Boss FV-500H

BOSS Volume Pedal (FV-500H)

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When it comes to volume pedals, the Boss FV-500H is the market leader and has been for many years now. This road-tough pedal has a heavy-duty aluminum chassis with a super smooth pedal movement. The upper layer is made of a non-slip rubber which provides superb grip without feeling like sandpaper. The build quality, as we’ve come to expect from Boss, is excellent too.

There are two versions of it to cater for different instruments. This one (the Boss FV-500H) is for high impedance, mono volume pedal that’s suited to guitar or bass. It’s sibling, the FV-500L, is the low impedance equivalent (the L stands for low, the H stands for high), is stereo, and suitable for keyboards, mixers, and line-level connections. 

Both models include an expression output, a minimum volume knob, adjustable pedal tension, and tuner output. 

PROS

  • Built like a tank – indestructible!
  • Great looking design
  • Reasonable price

CONS

  • on the big side

Sonicake VolWah

SONICAKE VolWah Active Volume & Wah Expression Pedal

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The Sonicake VolWah is an active unit, which works as both a volume pedal and a wah. It’s tiny so that you can fit it inside the most compact of pedalboards, and it has an LED to tell you which of the modes you are using.

As it’s active, it will work equally well with instruments using passive and active pickups, and it can be powered using a 9V DC adapter. The wah feature gives you classic ‘Cry Baby’ sounds so that it will suit any Hendrix fans out there, or those who are just starting to experiment with different creative sounds on their guitar.

The Sonicake VolWah might be less suited to musicians are regularly gigging, as it’s made of plastic so will be less able to withstand knocks and bumps. It’s also quite budget-friendly.

PROS

  • Active, so you are unlikely to experience tone loss.
  • It’s tiny, so you don’t need to worry about it taking up too much space in your pedalboard.
  • Doubles up as a wah, making it good value for money.

CONS

  • You can’t adjust volume and wah at the same time.
  • It’s made of plastic, so not as hardworking as a metal casing.

Dunlop GCD80

Dunlop GCB80 High Gain Volume Pedal

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The Dunlop GCD80 uses mechanics to alter the volume, so you don’t need a battery. It works best with passive pickups so that the impedance matches.

It’s a sturdy build, that looks like a classic wah, which makes it easy to control and a reliable piece of kit to take on the road.

There’s just one input and output, so you don’t need to worry about split signals affecting your tone, and the rocker pedal is all there is to adjust the sound.

With no minimum level control or additional outputs, this is very easy to use which will suit vintage-oriented players or those who like to keep things simple. It will be less suited to those looking for something a little more modern, or lightweight.

PROS

  • Passive, so you don’t need to worry about using a battery.
  • It comes in a sturdy die-cast casing so it will last forever.
  • Large rocker makes it easy to control slight shifts.

CONS

  • It’s pretty heavy.
  • Only one output.

Ernie Ball VP Jr 25K

Ernie Ball 6181 Junior Size Volume Pedal-Mono, 25K VPJR

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The Ernie Ball VP Jr 25K is designed with a low impedance to work with a guitar or bass guitar with active pickups (great if you sometimes need a bass guitar volume pedal) making it, arguably, the best active volume pedal on the list (or at least the most versatile).

It has a separate output for a tuner, so you can silently tune your instrument, and it’s built with a solid construction, making it perfect for taking on the road.

It’s sturdy but not too bulky, and its lever/rocker is very thin and sensitive to your movements and will suit those who don’t mind spending a little bit more for something that’s high quality and suited to active pickups.

PROS

  • Separate output for a tuner, so you can easily send a clean signal to your tuner.
  • 25K impedance is designed primarily to work with guitars with active pickups.
  • Works as a volume pedal for bass.
  • Solid construction.

CONS

  • It only works with active pickups.
  • The price is expensive compared to others on this list.
  • It needs to be plugged in or powered off a battery.

Dunlop DVP4 X Mini

Jim Dunlop Guitar Volume Pedal (DVP4)

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The Dunlop DVP4 Mini is a high impedance that’s perfectly suited to passive pickups.

It’s also tiny and lightweight so that you can fit it into small pedalboards and there’s an AUX connector to attach a tuner or expression pedal which can be used to control FX parameters.

It will be suited to creative guitarists who might like to use it as more than just a volume controller. It will be less suited to those who want a classic, hard-wearing unit.

PROS

  • AUX connection for tuner or expression pedal.
  • Small and lightweight.
  • Passive, so you don’t need to worry about plugging it in.

CONS

  • You might lose some of your tonal qualities.
  • It’s quite expensive.

Ernie Ball 250K Mono

Ernie Ball 250k Mono Volume Pedal (for use with Passive electronics)

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The Ernie Ball 250K Mono is similar to the VP 25K, but with a high impedance to suit passive pickups.

It has a separate output for a tuner, so you can silently tune your instrument, and is built with excellent construction making it great for gigging.

Its lever/rocker is very thin and sensitive to your movements and will suit those who don’t mind spending a little bit more for something that’s high quality and stylish.

It also comes with a taper switch on the side which lets you pick how it responds to your foot inputs.

PROS

  • Separate output for a tuner, so you can easily send a clean, silent signal to your tuner.
  • Solid construction, so you don’t need to worry about it breaking.
  • Designed primarily to work with passive instruments.

CONS

  • As for price, it’s quite expensive compared to others in this round-up.
  • You might lose some tonal qualities.

Lehle Mono

Lehle Mono Volume Pedal

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The Lehle Mono is another active option that uses a magnetic sensor to measure and adjust your volume smoothly.

The voltage-controlled internal amplifier ensures that your frequencies stay the same as they adjust, so there will be no dampening of tone. There’s also a gain control to offer overdriven sounds, and it also works well as a booster.

It will be well suited to those who are looking for the ultimate transparency of tone and require smooth and subtle adjustments, but its quite expensive so that it won’t be suited to musicians on a budget.

PROS

  • The magnetic sensor allows it to be used without signs of wear.
  • Keeps all frequencies the same, so there’s no dampening.
  • Includes a gain control to offer overdriven sounds.

CONS

  • Pricier than others on this list.
  • You need to plug it in.

Quik Lok VP-2622

Quick Lok VP-2622 Volume Pedal for Keyboard/Guitar

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The Quik Lok VP-2622 is a budget-friendly, passive option that has two inputs and two outputs. It can be used with two instruments at once, making it great for multi-instrumental solo artists.

There’s also an adjustable sensitivity control, so you can fine-tune it to suit you and your instrument(s).

It a perfect option for musicians on a budget who want to manage their volume with their feet, but less suited to gigging musicians as its plastic casing makes it quite flimsy.

PROS

  • The best budget guitar volume pedal on the list.
  • Two inputs and two outputs for two instruments at once.
  • Adjustable sensitivity.

CONS

  • Not as smooth as some of the more expensive items on this list.
  • A bit flimsy.

Hotone Soul Press

Hotone Soul Press 3 in 1 Mini Volume/Wah/Expression Effects Pedal

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This is a versatile 3-in-1 volume, expression and wah pedal.

Despite its extensive features, it’s also one of the smallest items on the list and comes at a reasonable price.

There’s a small switch on the side, to choose which effect you’d like and there’s an adjustable minimum level control on the other side. As it’s active, it doesn’t affect your tone or frequencies – and the minimum level control makes it very smooth. It’s super compact, but it’s still pretty easy to use.

It will suit those who want all three features and don’t mind these effects all sharing one unit but will be less suited to those looking for volume only.

PROS

  • Works as a volume, wah and expression pedal.
  • Active, so it doesn’t dampen higher frequencies.
  • It’s very compact.

CONS

  • You need to plug it in or use a battery.
  • It’s tiny.

Morley PLA Steve Vai Little Alligator

Morley PLA Steve Vai Little Alligator Optical Volume Pedal

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The Morley PLA Steve Vai Little Alligator is another active controller, making it perfect for all kinds of guitars.

It includes a minimum volume control so that you can ensure a smooth transition between dynamics, and there’s an LED indicator that makes it easy to see when it’s on or off.

Despite the name, it quite big, but it’s well built, sturdy and easy to use – plus it’s reasonably priced, with one input and output and a DC connector.

It will suit those who need smooth swells in their solos, but don’t want it on at all times. It will be less suited to guitarists who require additional options such as wah and expression pedals.

PROS

  • Active, so there’s no ‘tone suck.’
  • Includes a minimum volume knob for the smoothness of the transition.
  • LED indicator makes it easy to see when it’s on or off while on stage.

CONS

  • Needs plugging in or to be battery-powered.
  • Fairly chunky – takes up a lot of space.

Mission VM-1

Mission Engineering VM-1 Volume Pedal

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The Mission VM-1 is a well-built unit with high impedance, making it perfect for passive pickup guitars.

It has a tuner output, but will not suck your tone due to its point-to-point hand wiring and the way the tuner is isolated from the rest of the signal via a mute switch.

It’s quite bulky, but you can trust it to last many a gig, and its size also means that it’s easy to use with your foot.

Available in a choice of either black or red, it will suit the style-conscious amongst you.

It’s perfect for the musician who doesn’t mind paying a bit more to get a high-quality unit but less appropriate for the guitarist with active pickups.

PROS

  • Hand-wired.
  • Passive, so you don’t need to plug it in.
  • Tuner output and mute switch.

CONS

  • Quite expensive.
  • Relatively large and heavy.

Why Use a Volume Pedal?

Where you put this guitar pedal in your signal chain depends on which signal it is that you want to adjust:

  • If it’s the clean signal, before it’s been affected by things such as delay, distortion or reverb that you may want to reduce at certain points in your playing, it will be best at the start of your pedal chain (immediately after the guitar).
  • If your fully-affected signal is what you need to attenuate, it makes more sense to put it at the end of your chain.

Buyers Guide – Key Considerations

So what should you look for? Let’s take a look.

Passive vs. Active

  • Passive volume pedals are usually cheaper and generally easier to operate, plus you don’t need batteries or adapters to function which is always a plus. They work via mechanics inside the pedal, which reduces the signal when the pedal’s in its ‘closed’ position and allows it to come through when the pedal is fully opened. The one downside is tone suckage: they’re prone to sucking some tone from your guitar’s signal, especially when they have a tuner output as well as a standard output.
  • Active volume pedals avoid the dampening of higher frequencies you sometimes get with the passive type. Active volume pedals contain miniature amplifiers inside them, through which the levels are adjusted. These are generally more expensive, but the benefits are a reduced risk of tone suck, and as there are no moving parts in them, they tend to be more reliable. They need to be plugged in or powered off a battery.

Pickup Types

Some of these pedals are better suited to active pickups, whereas some are more appropriate for passive pickups (like most Strats, Les Pauls, and Telecasters) – it’s essential to match it with a passive pedal with an impedance in the 250 – 500K range. This will help you to avoid tone loss.

If you’re using a guitar with active pickups, your passive volume pedal should have an impedance in the 25-50K range.

If you choose an active volume pedal to pair up with your active pickups, you don’t need to worry about impedance.

Built-in Wah / Expression Pedal

Depending on the model, some models double up as expression or wah pedals, which is a decent saving if you were looking to buy either of these. If you are starting with your collection, it might make sense financially to get one of these 3-in-1 models. Similarly, if you already have wah and expression controllers, you can get a volume only unit.

Stereo Vs. Mono

The final consideration is whether you need a stereo volume pedal or a mono one.

If you only ever plan to use the volume pedal through a guitar, then a mono one will do just fine, but if you ever want to use in on stereo equipment (with a keyboard for example) then you’ll want a stereo one. It’s worth considering what you’ll likely end up using it in the long term.

 


So, Which Should I Buy?

Each of these effects pedals has something going for it, but which is the best?

Well, if you’re looking for something that doubles up as a wah effects pedal, the Sonicake VolWah or Hotone Soul Press are a good option. The latter also has an expression pedal option too. They’re both surprisingly small too.

If you’re looking for something a bit more substantial in size, the Dunlop GCD80, Mission VM-1 or Morley PLA Steve Vai Little Alligator might be more suited to you.

The Mission VM-1 offers an additional tuner option, without tone suck, and the Morley PLA Steve Vai Little Alligator gives you minimum-volume adjusting options.

Both Ernie Ball pedals – the 250K mono and the VP Jr 25K – are also sturdy and well-sized. The 250K is designed for guitars with passive pickups, whereas the 25K will only be suitable for guitars with active pickups.

The Lehle Mono is another full-sized effects pedal, which uses innovative magnetic technology to ensure transparency of tone and long life for the equipment.

Finally, our editor’s choice is the market-leading Boss FV-500 H which for many years has been a favorite of many guitar players out there.

Best of luck!

Ged Richardson

Ged is editor-in-chief and founder of Zing Instruments. He's a multi-instrumentalist and loves researching, writing, and geeking out about music. He's also got an unhealthy obsession with vintage VW Campervans.

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